…Ready For it?
[Taylor is in a witchy hood. She’s covert, hiding (her true sexuality). It’s the motivation for the relationship and this song.]
There are at least two layers in this song: She got a long-term beard to distract from the actual partner. Secondarily YOU are in my sexy dreams, no one has to know.
Some history of bearding:
https://kit10phish.wordpress.com/2023/02/22/taylor-swifts-gay-moments-reputation-edgy-dark/
[It’s the same sentiment as Blank Space. We’ll see how this bearding contract is going to go. The robot Taylor in the glass is on a similar horse too. It ties the songs/videos together, and reminds the audience that this relationship with a guy is fabricated fantasy for public-facing Taylor.]
I think this is Taylor’s song spelling out her bearding plan, code-phrase: That’s My Man.
Knew he was a killer first time that I saw him
la·dy·kill·er/ˈlādēˌkilər a charming man who is very attractive to women.
[Attractive to women. Doesn’t say this man likes women, or has many affairs with women. The definition specifically says this man is the recipient of women’s attraction. And he’s charming/polite.]
Wonder how many girls he had loved and left haunted
Taylor Swift explained the meaning… “‘Haunted’ is about the moment that you realize the person you’re in love with is drifting and fading fast…captured the intense, chaotic feeling of confusion I was looking for.”
But if he’s a ghost, then I can be a phantom
phan·tom/ˈfan(t)əm a ghost
a figment of the imagination.
denoting a financial arrangement or transaction that has been invented for fraudulent purposes but that does not really exist.
“he diverted an estimated $1,500,000 into “phantom” bank accounts”
[Interesting. Especially that last definition. If Joe is a ghost (he confused many girls), then it allows Taylor to have a financial arrangement for something that does not actually exist (love). Hmmm.]
https://kit10phish.wordpress.com/2024/01/08/swiftionary-part-3/
Holdin’ him for ransom
ransom [ ran-suhm ] noun
the redemption of a prisoner or kidnapped person, of captured goods, etc., for a price.
the sum or price paid or demanded.
a means of deliverance or rescue from punishment for sin, especially the payment of a redemptive fine.
[Taylor takes Joe and keeps him for a price. Alternate definition is Taylor rescues Joe from sin for a redemptive fee.]
Some, some boys are tryin’ too hard
He don’t try at all, though
[Taylor reminds us some of her beards were not believable bc it was too much (Tom Hiddleston in that shirt). But this man doesn’t do anything to arouse suspicion. He’s more lowkey, and all the “privacy” he/they require means he’s a blank slate for the media and public (remember the painting the boyfriend scene in the Blank Space video?]
Younger than my exes but he act like such a man, so
I see nothing better, I keep him forever
[Taylor, who has been criticized for being a man-eater, but who also doesn’t want to ruin her career coming out as LGBT doesn’t see an alternative to keeping this beard around forever. If she has a long-term beard, she can keep her secret, but the media and public might lay off about her dating life.]
Like a vendetta-taI-I-I see how this is gon’ go
A vendetta begins when one family correctly or incorrectly believes itself to have been attacked, insulted or wronged by another. Intense feelings of resentment result in the initial retaliation, which leads to the other family feeling equally resentful, angry and vengeful . Ultimately there is a long-running cycle of retaliatory violence. This continual cycle of provocation and retaliation makes it almost impossible to end the vendetta peacefully. Vendettas frequently involve the entire family members, all the relatives and associates, and can last for generations.
NDAS, anyone?
[Actual lover:]
Touch me and you’ll never be alone
I-Island breeze and lights down low
No one has to know In the middle of the night, in my dreams
You should see the things we do, baby
In the middle of the night, in my dreams
I know I’m gonna be with you
[One day the two Taylors (public-facing and authentic) can be one again.]
[When the glass closet is broken and Taylor can be her true self in public. When she comes out…]
So I take my time
[The music changes in this part of the song, as does Taylor’s mood. Here, she’s softer, and sings, no one has to know (b/c this is a secret) in her [sexy, apparently, based on the noises] dreams she thinks of “you” someone different than the person in the rest of the song.]
Are you ready for it? Me, I was a robber first time that he saw me
Stealing hearts and running off and never saying sorry
[This is getting at what I was saying earlier about the man-eater stuff. Robber talks about her stealing something (hearts of boys) that aren’t hers to take. The love of a man is not Taylor’s b/c it’s not real and she’s not actually into these guys she “dated.” Running off and never saying sorry implies that after the “relationships” Taylor left and felt no remorse (bc it’s a business transaction). Short-term bearding contracts were hiding her LGBT truth but also making Taylor look too man-hungry.]
But if I’m a thief, then he can join the heist
[Taylor does the bearding contracts, but now she’s saying she found a like-minded beard, who also has the same goals as she does.]
And we’ll move to an island-and
And he can be my jailer,
[Taylor is trying to put out her own cutesy ship name. But she already “dated” a J, so instead of Joe-Taylor fans went Taylor-Joe, and the result is a very un-cute (in my opinion) Toe.]
Burton to this Taylor
I looked Burton up in the most basic of searches and read that there were, indeed, rumors of homosexuality linked to him. He even talked about it himself in an interview:
In a February 1975 interview with his friend David Lewin he said he “tried” homosexuality. He also suggested that perhaps all actors were latent homosexuals, and “we cover it up with drink“.[24] In 2000, Ellis Amburn’s biography of Elizabeth Taylor suggested that Burton had an affair with Laurence Olivier and tried to seduce Eddie Fisher[page needed], although this was strongly denied by Burton’s younger brother Graham Jenkins.[25]
It’s no secret that Liz Taylor had more than a few gay fans, or that she had more than a few gay friends…and possibly husbands.
http://ryan-field.blogspot.com/2012/11/was-richard-burton-gay.html
[Given this information, what an interesting comparison for Taylor to make! She says Joe is like Burton (gay?) to this Taylor (in a lavender marriage?) but the public will see it as a great romance.]
Every lover known in comparison is a failure
I forget their names now, I’m so very tame now
[All the short-term beards could be easily debunked as fake by the media, general public, and fans. It was a failure b/c these boyfriends did not help Taylor’s public image. But a “private” long-term beard, would make Taylor look more stable (tame), and as a bonus, straight.]
Never be the same now, nowI-I-I see how this is gon’ go
Touch me and you’ll never be alone
I-Island breeze and lights down low
No one has to know
(No one has to know) In the middle of the night, in my dreams
[It’s important that the “no one has to know” is on the same line as the description of Taylor’s dirty dreams. She is saying no one has to know who she actually dreams about (a female?). These dreams are about someone else/not the subject of the song/not Joe.]
You should see the things we do, baby
In the middle of the night in my dreams
I know I’m gonna be with you
So I take my time
[This person in Taylor’s dreams, who no one has to know about, b/c it’s not the subject of this song, Joe, is the one she wants to be with. And she takes her time (in both this sex-dream, and also with this long-term bearding plan).]
Are you ready for it?
Ooh, are you ready for it? Baby, let the games begin
Let the games begin
Let the games begin
Baby, let the games begin
Let the games begin
Let the games begin
[If Toe is real and true love, why does Taylor refer to games many times at the end of this song? True love should not have games. Taylor just set out her long-term bearding plan in this song, so she can obscure LGBT rumors, not look like a man-eater with all the shorter boyfriend relationships, but eventually be happy with this 2nd song subject.]
I-I-I see how this is gon’ go
Touch me and you’ll never be alone
I-Island breeze and lights down low
No one has to know In the middle of the night, in my dreams
[
[When the Taylor from the glass cage breaks out people are chasing her and she stands on the ‘burning the witches’ platform. Because nobody is going to like it when Tayor Swift comes out as queer.]
You should see the things we do, baby
In the middle of the night, in my dreams
I know I’m gonna be with you
So I take my time In the middle of the night
Baby, let the games begin
Let the games begin
Let the games begin
Are you ready for it? Baby, let the games begin
Let the games begin
Let the games begin
Are you ready for it?
[Because as she told us in Blank Space, love’s a game. This song is talking about how the contract starts, and the hidden lover.]
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